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- Originaltitel : Ant-Man and the Wasp
- Film titel i ditt land : Ant-Man and the Wasp (2018)
- År av film : 2018
- Genrer av film : Action, Äventyr, Science Fiction, Komedi,
- Status för film : Released
- Släppdatum för film : 2018-07-04
- Företag av film : Marvel Studios,
- Länder film : United States of America,
- Språk film : English,
- Varaktighet film : 118 Min
- Genomsnittlig röst av film : 7
- Youtube ID för filmen : 8_rTIAOohas
- Översättning av film : EN,SV,PT,JA,RO,DE,PT,PL,UK,FR,TR,ES,RU,DA,BG,HU,EL,ZH,NL,HE,SR,KO,VI,ZH,FR,SK,IT,LV,CS,FA,ZH,ID,AR,LT,ES,FI,UZ,TH,NO,KA,HR,
- Aktörer som film :Walton Goggins (Sonny Burch), John Ozuna (Tourist (uncredited)), Sean Kleier (Agent Stoltz), Dale Liner (SF SWAT Team Leader (uncredited)), Denney Pierce (Flatbed Truck Driver (uncredited)), Jon Wurster (Burch's SUV Driver), Sandra Dee Richardson (SF Street Pedestrian (uncredited)), Mika Kubo (Tourist (uncredited)), Sawyer Jones (School Kid (uncredited)), Langston Fishburne (Young Bill), Bryan Lugo (Wharf Cop), Laurence Fishburne (Dr. Bill Foster), Marcella Bragio (Tourist (uncredited)), Jennifer Black (SF Street Pedestrian (uncredited)), Divian Ladwa (Uzman), RaeLynn Bratten (Young Ava), Kevin Carscallen (Whale Watcher (uncredited)), Hannah John-Kamen (Ava Starr / Ghost), Jamel Chambers (SF Street Pedestrian (uncredited)), Natasha Zouves (San Francisco News Anchor), Seth McCracken (Whale Watcher / Tourist (uncredited)), Tim Heidecker (Whale Boat Captain Daniel Goobler), Goran Kostić (Anitolov), Michael Douglas (Dr. Hank Pym), Riann Steele (Catherine Starr), Steven Wiig (Pier 39 Fisherman (uncredited)), Virginia Hamilton (San Francisco News Announcer), Bobby Cannavale (Paxton), Chris Gann (FBI Agent (uncredited)), Dax Griffin (Young Hank), Brian Huskey (Elementary School Teacher), Michael Peña (Luis), Stan Lee (Shrinking Car Owner), Paul Rudd (Scott Lang / Ant-Man), Benjamin Weaver (SF Street Pedestrian (uncredited)), Tahseen Ghauri (SF Street Pedestrian (uncredited)), Hayley Lovitt (Young Janet), Randall Park (Jimmy Woo), Evangeline Lilly (Hope van Dyne / Wasp), Zachary Culbertson (Man on Pier (uncredited)), Benjamin Byron Davis (Agent Burleigh), Timothy Carr (Prison Guard (uncredited)), Simon Potter (Burch's Goon), Judy Greer (Maggie), Rob Archer (Knox), Torrey Vogel (Burch's Goon), Rick Richardson (SF Police (uncredited)), Michelle Pfeiffer (Janet van Dyne / Wasp), Sophia Marcs (Tourist (uncredited)), Joshua Mikel (Burch's Bodyguard (uncredited)), T.I. (Dave), William W. Barbour (Tourist (uncredited)), David Dastmalchian (Kurt), Charles Justo (Fireman), Jessica Winther (Tourist Wife), Michael Cerveris (Elihas Starr), Suehyla El-Attar (Agent Pearson), Madeleine McGraw (Young Hope), Vanessa Ross (Hot Jogger (uncredited)), Tom Scharpling (Burch's SUV Driver), Abby Ryder Fortson (Cassie), Sergio Briones (Firefighter (uncredited)), Darcy Shean (Nanny), Julia Vera (Luis' Abuelita), Norwood J. Cheek Jr. (Tourist Husband)
Ant-Man and the Wasp (2018) är det bättre film utsöndras genom Marvel Studios, som har en beskrivning av filmen är "Scott Lang brottas med konsekvenserna av sitt val både som superhjälte och far. Medan han kämpar för hitta balansen mellan sitt privatliv och hans ansvar som Ant-Man, konfronteras han av Hope van Dyne och Dr. Hank Pym med ett nytt viktigt uppdrag. Scott måste än en gång sätta på sig dräkten och lära sig slåss tillsammans med The Wasp då teamet jobbar ihop för att avslöja hemligheter från deras förflutna.". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och störst starring aktörer.
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Location Production Assistant : Taylor Whitehouse, Electrician : Todd Clark, CG Supervisor : Andrew Zink, Sound Mixer : Charles German, Art Direction : Kiel Gookin, Visual Effects Coordinator : Alison Luong, Systems Administrators & Support : Laurent Le Mettez, Concept Artist : Stephen Schirle, Lighting Technician : Ryan Thomas, Assistant Editor : Michael Goldberg, Supervising Music Editor : Steve Durkee, Extras Casting : Brad Bittner, Sound Effects Editor : Douglas Murray, Set Dresser : A.J. Austin, Visual Effects Coordinator : Dennis Murillo, Lead Animator : Shawn Miller, Rigging Gaffer : Mike Tyson, Visual Effects Production Manager : Mat Thompson, Visual Effects Supervisor : Blaine Lougheed, 3D Artist : Guillaume Fabre, Makeup Artist : Jillian Erickson, Visual Effects Coordinator : Brenna Dolan, On Set Dresser : Jaime Rosegren, Electrician : Kyle Lippincott, Executive Producer : Louis D'Esposito, Lighting Artist : Tim Crowson, Supervising Art Director : Jay Pelissier, Location Production Assistant : Sara Anders, Visual Effects Producer : Eric Kimelton, Scenic Artist : Ruth Mitchell, Visual Effects Coordinator : Heather Fischer, Lighting Supervisor : Filippo Forno, Construction Coordinator : John Hoskins, Visual Effects Editor : Robert Drwila, Propmaker : Jack Rogers, Rigging Grip : Nicolas 'Nico' Ortiz y Pino, Visual Effects Supervisor : Stephane Ceretti, Conductor : Tim Davies, Music Editor : Tanya Noel Hill, Electrician : Frank Helbig, Set Costumer : Addy Steigerwalt, 3D Artist : Tom Wolstenholme, 3D Artist : Phil Dakin, 3D Artist : Marguerite Chantal, 3D Artist : Jamal Hajlaoui, Camera Operator : Jeff Crumbley, Visual Effects Editor : Craig Sheppard, Drone Pilot : Michael Craig Ferguson, Location Manager : Matthew Riutta, Visual Effects Coordinator : Rebecca Burnett, First Assistant "A" Camera : Brad Peterman, 3D Artist : Daniel Ruiz Vargas, Systems Administrators & Support : Kris Bieringa, Rigging Grip : Mauricio Cornejo, 3D Artist : Wenceslao Herrera Garcia, Key Costumer : Anthony Almaraz, Rigging Supervisor : Jim Su, Producer : Stephen Broussard, Director : Peyton Reed, Makeup Artist : Seidah Nichols, Digital Imaging Technician : Tyler Blackwell, 3D Artist : Francisco Massanet, Set Costumer : Parrish Kennington, Visual Effects Coordinator : Connor Smith, Assistant Costume Designer : Jo Kissack, Costumer : Annika Emma Lawrence, Visual Effects Producer : Cabral Rock, Storyboard Artist : Michael Anthony Jackson, Set Medic : Mark Bosia, Camera Operator : Christopher Duskin, Visual Effects Producer : Susan Pickett, Executive Producer : Stan Lee, Assistant Art Director : Margaux Wilcox, Screenplay : Andrew Barrer, Leadman : Grant Samson, Lighting Technician : Thomas McCarty, CG Supervisor : Carlos-Christian Nickel, 2D Supervisor : Nicolas Borens, Original Music Composer : Christophe Beck, Set Costumer : Mike Lutz, Boom Operator : Fred Runner, Visual Effects Supervisor : Stephane Paris, Hair Department Head : Jeri Baker, Foley Editor : Willard Overstreet, Second Assistant Camera : Victoria K. Warren, Set Costumer : Allison E. Cohen, 3D Artist : George Tatchell, Second Assistant "C" Camera : Nicholas Leone, Stunts : Eddie Yansick, 3D Artist : Bruno Champagne, Visual Effects Coordinator : Viktoria Rucker, Art Direction : Domenic Silvestri, Location Manager : Dan Cooley, Ager/Dyer : Ian Churchill, Dialogue Coach : Bill McAdams Jr., Visual Effects Coordinator : Djordje Jugovic, Costume Design : Louise Frogley, Electrician : Noah Eagle, 3D Artist : Tomoyo Matsuda, Post Production Assistant : Allana Williams, Assistant Property Master : James L. Eddy, 3D Artist : Anthony Cabula, Second Assistant Camera : Nick Cannon, Set Designer : Tammy S. Lee, Second Assistant "B" Camera : Thomas D. Lairson Jr., 3D Artist : Sebastien Beaulieu, Makeup Artist : Hil Cook, Graphic Designer : Shaquana Simmons, Electrician : Jonathan McKeown, Pipeline Technical Director : Simon Ohler, Matchmove Supervisor : Santosh Kumar Dey, Matte Painter : Thaddeus Warren, Visual Effects Supervisor : François Dumoulin, Visual Effects Coordinator : Bastien Rivas, Props : Michael Luce, Foley Supervisor : Christopher Flick, Boom Operator : Ben Greaves, Visual Effects Editor : John Polyson, Script Supervisor : Robin Meyers, First Assistant Camera : Dennis Rogers, Dialogue Editor : Jacob Riehle, Boom Operator : Jason C. Lewis, VFX Editor : Lenny Mesina, Music Editor : Fernand Bos, Art Department Coordinator : Brittany Gutheim, Assistant Art Director : Colleen Larson, Assistant Location Manager : Willard Pennington, Key Animation : Alex Filipov, Orchestrator : Lorenzo Carrano, Dolly Grip : Kevin Cook, On Set Dresser : Kemper Harris, Digital Imaging Technician : Daniele Colombera, Costumer : Tamara Silbert, Transportation Coordinator : Dan Marrow, Concept Artist : Aleksi Briclot, 3D Artist : Eric Senecal, Set Decoration Buyer : Jenny Sandell, Visual Effects Supervisor : Kevin Souls, Music Supervisor : Daniel Burnette, Rigging Grip : Christopher D. Miller, Visual Effects Producer : Monique Pollaehne, Set Dresser : Blade Ladish, Camera Operator : Christopher A. Schenck, Compositing Supervisor : Mark Braithwaite, Supervising Sound Editor : Addison Teague, Graphic Designer : Clint Schultz, 3D Artist : Christophe Le Derout, Electrician : Duke Duvauchelle, Visual Effects Coordinator : Philip Cabana, Creature Technical Director : Eric Moliner, Storyboard Artist : Thomas A. Nelson, Video Assist Operator : Fred Duffer, Art Direction : Rachel Block, Best Boy Grip : Riko Schatke, Rigging Grip : Gabriel Blain, CG Supervisor : Daisuke Nagae, Conceptual Design : Andy Chung, Lighting Technician : Allen Mozo, Assistant Editor : Montrice White, Set Dresser : Tyler Wallace, Unit Publicist : Carol McConnaughey, Compositing Supervisor : Nicolas Leu, 3D Artist : Juan Francisco Valdivieso, Special Effects Coordinator : Joel Mitchell, Pipeline Technical Director : Joshua Robertson, Orchestrator : Jeremy Levy, Animation Supervisor : Kevin Martel, Set Dresser : Gregg Perez, Studio Teacher : Letitia Hoaas, Art Direction : Calla Klessig, Aerial Director of Photography : David B. Nowell, 3D Artist : Randy R. Tecson, Set Designer : Dean Wolcott, Visual Effects Producer : Michael Perdew, Electrician : Chris Weigand, Still Photographer : Ben Rothstein, Compositing Supervisor : Michael Porterfield, Pipeline Technical Director : Kolja Hübschmann, Sound Mixer : Peter J. Devlin, Gaffer : Kiva Knight, Set Designer : Vincent Bates, Second Assistant Camera : Henry Nguyen, Set Decoration : Gene Serdena, Costumer : Sarah Elizabeth Grant, Additional Sound Re-Recording Mixer : Scott Hinkley, Location Production Assistant : David Tennyson Thompson, 3D Artist : Chris Chadwick, Orchestrator : Jordan Seigel, Assistant Location Manager : Aubrey DeVaney, Art Direction : Michael E. Goldman, Art Department Coordinator : Katrina Sainz, Art Department Coordinator : Melani Petrushkin, First Assistant Camera : Manning Tillman, Location Assistant : Jonathan Wymer, Electrician : Dean Labossiere, Lighting Technician : George Sugar, 3D Artist : Lee Dexter, First Assistant Camera : Haydn Pazanti, Makeup Designer : Valli O'Reilly, Aerial Camera Technician : Jared Slater, Sound Mixer : Scott Kinzey, Hairstylist : Kerrie Smith, Digital Imaging Technician : Jordan Harriman, 3D Artist : Samuel Locas-Meilleur, Second Assistant "A" Camera : Trey Twitty, Systems Administrators & Support : Alex Perlstrom, 3D Artist : J. Ignacio Garrido, Orchestrator : Andres Montero, 3D Artist : Simon Irvine, Supervising Sound Editor : Katy Wood, Video Assist Operator : Adam Meadows, Makeup Department Head : Heba Thorisdottir, Screenplay : Gabriel Ferrari, Music Coordinator : Shannon Murphy, Set Dresser : Terry Hill, Lighting Technician : Stephen Bacquet, Sound Designer : Shannon Mills, Location Production Assistant : Ismael Castillo, Systems Administrators & Support : Jana Rexhausen, Lighting Technician : Sergio Munoz Jr., Makeup Artist : Björn Rehbein, Stereoscopic Supervisor : Jason Bomstein, Executive Producer : Charles Newirth, Lighting Supervisor : Bora Dayioglu, Lead Animator : Ngan Chung, CG Supervisor : David Cunningham, Animation Supervisor : Pimentel A. Raphael, Sound Re-Recording Mixer : Tom Johnson, Marine Coordinator : Burke Beardsley, Visual Effects Supervisor : Russell Earl, Dolly Grip : Andy Waldron, Visual Effects Supervisor : Dave Dalley, Visual Effects Supervisor : Jelmer Boskma, Epk Camera Operator : Jeremy Emerman, Generator Operator : Reid Andrews, Casting Associate : Jason B. Stamey, Makeup Artist : Valli O'Reilly, 3D Artist : Suzie Askham, Set Decorating Coordinator : Jessica R. Jackson, 3D Artist : Pranay Meher, Electrician : Raul Flores, Set Dresser : Robbie Sammons, Visual Effects Coordinator : Andrew Cheng, 3D Artist : Martin de Coudenhove, Key Costumer : Betsy Glick, Post Production Assistant : Kayley Kemp, Key Grip : Peter Chrimes, Video Assist Operator : Mark Polischeck, 3D Artist : Thomas Enjalbert, Matchmove Supervisor : Manickam Kathirvel, Foley Artist : Geoff Vaughan, Visual Effects Supervisor : Doug Spilatro, Assistant Editor : Joe Zappia, Visual Effects Supervisor : Trent Claus, Rigging Gaffer : Scott Graves, Location Coordinator : Kirsten Cornay, Special Effects Supervisor : Daniel Sudick, Screenplay : Paul Rudd, Set Designer : Daniela Medeiros, Sound Effects Editor : Steve Orlando, Set Dresser : A.J. Caulfield, Assistant Location Manager : Rashod Edwards, Systems Administrators & Support : Johannes Vogt-Reimuth, Electrician : Evan Davies, CG Supervisor : Matthias Winkler, Best Boy Electric : Scott Sprague, Costumer : Deb Downing, Set Medic : Phillip Buckley, Props : Clark Grimes, Set Dresser : Colton Comans, Compositing Supervisor : Micah Gallagher, Producer : Kevin Feige, Assistant Art Director : Mari Lappalainen, 3D Artist : Eric Fortin, Boom Operator : Jeffrey A. Humphreys, Lighting Artist : Yoann Schmid, Additional Sound Re-Recording Mixer : Tony Villaflor, Pipeline Technical Director : Felix Bucella, Casting Assistant : Adriana Del Valle, First Assistant Editor : Simon Morgan, Visual Effects Compositor : Austin Ramsey, Visual Effects Coordinator : Scott McPhate, Pipeline Technical Director : Nathan Rusch, Carpenter : Beau Anderson Sr., Boom Operator : Ian Bender, Transportation Co-Captain : Daniel Davis, Visual Effects Producer : Chad Nixon, Props : Nathan Longest, Set Designer : Jeff Markwith, Second Assistant "C" Camera : Daniel Wurschl, Senior Animator : David Herfindahl, First Assistant Sound Editor : Lynn Sable, Additional Music : Michael Paraskevas, Visual Effects Coordinator : Kaushik Metkar, Extras Casting : Alyssa Jacobson, Costume Illustrator : Christian Cordella, Key Costumer : Jeanie Baker, Musician : Laurence Ungless, Set Costumer : Sarah Anderson, Additional Hairstylist : Shaquanta Green, Costumer : Raina Storer, Character Designer : Michael Kutsche, Camera Production Assistant : Nastasia Humphries, Camera Operator : Peter Rosenfeld, Extras Casting Assistant : Alexandra Di Giacomo, Russian Arm Operator : Michael Jordan, Executive Producer : Victoria Alonso, Second Unit Director of Photography : Igor Meglic, Hairstylist : Frances Mathias, Assistant Art Director : Julian Scalia, Visual Effects Coordinator : Eva Mularonek, Pipeline Technical Director : Esther Trilsch, Drone Cinematographer : Phil Pastuhov, Creature Technical Director : Jose Gloria, Creature Technical Director : Steven Bills, Key Grip : Alan Pickelsimer, Modeling : Nilesh Pobatti, Co-Producer : Lars P. Winther, Boom Operator : Robert Vardaros, Music Supervisor : Dave Jordan, Property Master : Andrew M. Siegel, Sound Mixer : Christopher Mills, Lighting Technician : Jonathan Irizarry, Visual Effects Editor : Damien di Toro, Musician : Steve Mair, Pyrotechnician : Scott Dwyer, Second Assistant Camera : Zsolt P. Haraszti, Screenplay : Chris McKenna, Best Boy Electric : Spencer Mulcahy, Assistant Art Director : Susan Alegria, Sound Designer : David Farmer, 3D Artist : Guillermot Dupinet, Assistant Property Master : William C. Martin, Electrician : Ian Chriss, Compositing Supervisor : Jay Cooper, Travel Coordinator : Mimi N. McGreal, Visual Effects Supervisor : Alex Ongaro, CG Supervisor : Alexandre Cancado, Script Supervisor : Hajar Mainl, Key Costumer : Tom Cummins, Leadman : Mike Helbig, Lighting Technician : Shaun Stallard, Visual Effects Supervisor : Andrew Hellen, Editor : Craig Wood, Rigging Grip : Tigris Bergman, Extras Casting : Toni Avalos, Sound Re-Recording Mixer : Juan Peralta, Carpenter : James Crain, Concept Artist : Tully Summers, Location Assistant : Jessica Lee Malloure, Visual Effects Coordinator : Rebecca Fair-Lien, Systems Administrators & Support : Jérémie Sebban, Transportation Captain : Anthony R. Sacco, Visual Effects Producer : Gayle Munro, Visual Effects Coordinator : Daniel Paul Newman, Animation Supervisor : Stephen Clee, Camera Operator : Onofrio Nino Pansini, Costume Supervisor : Carlane Passman, Set Dresser : Stewart D. Allen, Set Costumer : Charelle Bronson, Visual Effects Coordinator : Sammy Shikaze, Key Hair Stylist : Kimberly Carlson, 3D Artist : Masaya Sugimura, Director of Photography : Dante Spinotti, Visual Effects Producer : Marcus Goodwin, Unit Publicist : John M. Pisani, Key Costumer : Bob Moore Jr., Camera Operator : Stephen Buckingham, Set Dresser : Molly Ebner, Set Dresser : Sam Carter, Senior Modeller : Mariana Gorbea, Costumer : Allison Cirbus, Construction Buyer : Luis G. Benavides, Concept Artist : Kouji Tajima, Art Department Coordinator : Katharina Nimmervoll, Casting Assistant : Molly Doyle, Assistant Location Manager : RaShawn Cash, Creature Technical Director : Vincent Touache, Casting : Chase Paris, Props : Justyn David Miller, Electrician : Aaron Welch, Scenic Artist : Shawn Bidinger, Editor : Dan Lebental, Creature Technical Director : Avijit Das, Matte Painter : Mark Orme, Compositing Supervisor : Francis Puthanangadi, Assistant Property Master : Melissa Harrison, 3D Artist : Louis Desrochers, Stereoscopic Supervisor : Rohan Tirkey, Key Rigging Grip : Brook Johnson, Boom Operator : Will Loftin, Screenplay : Erik Sommers, Set Dresser : Christian Hoobyar, Gaffer : Rafael E. Sánchez, Studio Teacher : Lorri Bearbower, Visual Effects Compositor : Azra Alkan, 3D Artist : Samuel David, Executive Producer : Stephen Broussard, Location Assistant : Mariah Hall, Visual Effects Supervisor : Brendan Seals, First Assistant Camera : Nino Neuboeck, Carpenter : Julien Côté, Script Supervisor : Hannah Myvanwy Driscoll, Casting : Sarah Finn, Production Design : Shepherd Frankel, Set Dresser : Duncan Fletcher, Modeling : K.G. Ginu, Lighting Technician : John Jernigan, Best Boy Grip : Satoshi Yamazaki, Prop Designer : John Eaves, Pipeline Technical Director : Dushyant Kashyap, Creature Technical Director : Jonathan Bird, Second Assistant Camera : Aaron Kirby, Set Costumer : Lily Scott, Comic Book : Stan Lee, Sound Mixer : Lee Orloff, Storyboard Artist : Myke Bakich, Visual Effects Coordinator : James Ledwell, Best Boy Electric : Morten Petersen, Visual Effects Supervisor : Jonathan Weber, Art Direction : Clint Wallace, Pipeline Technical Director : Yannic Schoof, Rigging Gaffer : Paul Postal, Compositing Supervisor : Jennifer Giovanna Meire, 3D Artist : Mathieu Godin, Set Decoration : Christopher J. Wood, Transportation Captain : John Lybrand, Sound Effects Editor : Lee Gilmore, Location Production Assistant : Liza-Anne Cabral, First Assistant Camera : Robert M. Sagaser, Co-Producer : Mitchell Bell, Visual Effects Producer : Adam Pere, Gaffer : Harold Skinner, Second Assistant Camera : Theresa Wong, Comic Book : Larry Lieber, Location Assistant : Nick DaLonzo, Visual Effects Editor : Rachel Litz, Visual Effects Coordinator : Rachel Bianculli, Art Department Coordinator : Ayesha Janmohammed, Pipeline Technical Director : Ryan Albertson, Set Costumer : Kelly Errigo Mason, Set Costumer : Valerie White, Visual Effects Editor : Rachel Erdos, Steadicam Operator : Peter Rosenfeld, Lighting Technician : Cody Strong, Musician : Roger Linley, Assistant Location Manager : Darrick Chan, 3D Artist : Maxime Cosseau, Visual Effects Coordinator : Kristen Drewski, Set Designer : Patrick Dunn-Baker, Digital Imaging Technician : Brook Willard, 3D Artist : Richard Boyle, Set Decoration Buyer : Katie Childs, Drone Pilot : Kevin LaRosa Jr., Additional Sound Re-Recording Mixer : Gary Summers, Animation Supervisor : Jeremy Stewart, Visual Effects Coordinator : Alex Conor Harrison, Assistant Property Master : Anna Rogers, Ager/Dyer : Stephanie Herrera, Gaffer : Joseph Harold Page, ADR Voice Casting : Barbara Harris, Key Makeup Artist : Stephan Dupuis, Script Supervisor : Karen M. Cantley, Comic Book : Jack Kirby, Set Dresser : Scott Johnson, Hairstylist : Wyatt Belton, Foley Mixer : Blake Collins
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Tags: insect, shrinking, sequel, superhero, based on comic, ants, miniaturization, giant man, aftercreditsstinger, duringcreditsstinger, marvel cinematic universe,